The Arial Font
The type on this blog is styled in the Arial font. Here’s what Wikipedia has to say about it:
Arial, sometimes marketed or displayed in software as Arial MT, is a sans-seriftypeface and set of computer fonts. Fonts from the Arial family are packaged with all versions of Microsoft Windows, some other Microsoftsoftware applications,[1]AppleMac OS X[2] and many PostScript 3 computer printers.[3] The typeface was designed in 1982 by a 10-person team, led by Robin Nicholas and Patricia Saunders, for Monotype Typography.
The Arial typeface comprises many styles: Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic, Extra Bold, Extra Bold Italic, Light, Light Italic, Narrow, Narrow Italic, Narrow Bold, Narrow Bold Italic, Condensed, Light Condensed, Bold Condensed, and Extra Bold Condensed. The extended Arial type family includes even more styles: Rounded (Light, Regular, Bold, Extra Bold); Monospaced (Regular, Oblique, Bold, Bold Oblique). Many of these have been issued in multiple font configurations with different degrees of language support. The most widely used and bundled Arial fonts are Arial Regular, Italic, Bold, Bold Italic, along with the same styles of Arial Narrow, plus Arial Black and Black Italic. More recently Arial Rounded has also been widely bundled.
Hmm. I wonder what the history of the Arial font is:
IBM debuted two printers for the in-office publishing market in 1982: the 240-DPI 3800-3 laserxerographic printer, and the 600-DPI 4250 electro-erosion laminate typesetter.[8][9] Monotype was under contract to supply bitmap fonts for both printers.[5][8] The fonts for the 4250, delivered to IBM in 1983,[10] included Helvetica, which Monotype sub-licensed from Linotype.[8] For the 3800-3, Monotype substituted Helvetica with Arial.[8] The hand-drawn Arial artwork was completed in 1982 at Monotype by a 10-person team led by Robin Nicholas and Patricia Saunders[4][11] and was digitized by Monotype at 240 DPI expressly for the 3800-3.[12]
IBM named the font Sonoran Sans Serif due to licensing restrictions and the manufacturing facility’s location (Tucson, Arizona, in the Sonoran Desert),[5][13] and announced in early 1984 that the Sonoran Sans Serif family, “a functional equivalent of Monotype Arial,” would be available for licensed use in the 3800-3 by the fourth quarter of 1984. There were initially 14 point sizes, ranging from 6 to 36, and four style/weight combinations (Roman medium, Roman bold, italic medium, and italic bold), for a total of 56 fonts in the family. Each contained 238 graphic characters, providing support for eleven national languages: Danish, Dutch, English, Finnish, French, German, Italian, Norwegian, Portuguese, Spanish, and Swedish. Monotype and IBM later expanded the family to include 300-DPI bitmaps and characters for additional languages.
In 1989, Monotype produced PostScript Type 1 outline versions of several Monotype fonts,[10] but an official PostScript version of Arial was not available until 1991.[citation needed] In the meantime, a company called Birmy marketed a version of Arial in a Type 1-compatible format.[7][14]
In 1990, Robin Nicholas, Patricia Saunders[4][11] and Steve Matteson developed a TrueType outline version of Arial which was licensed to Microsoft.[10][15][16]
In 1992, Microsoft chose Arial to be one of the four core TrueType fonts in Windows 3.1, announcing the font as an “alternative to Helvetica”.[10][11][17]
Sounds like a lot of work went into the creation of the Arial font. As a result, I won’t waste a single character of it writing about Jordany Valdespin.
But if you’d like to hear how he blew up after his recent demotion to Triple-A, you can read about it here.
Why would he change his attitude if he didn’t have to?
By the way there is another detail to the Valdespin blow-up that is on AmazinAvenue; I won’t share the link because it’s not family-friendly.
Amazin’ stuff here…..but not really. The hallmark of it all: the unsurprising theme of the Mets keeping guys around for long periods of time, for no apparent reason.
I supported more playing time for him in the past, while keeping his “amusing” nature in mind. However, I was always realistic about him not being very smart — and that he was “productive” amidst the other crap we watched last season.
The real time to “ride” him (which was really last year, during the PH surge —- or even a bit more earlier on this year, when the outfield situation was in a true state of chaos) has long past..
……otherwise – you can’t come back from this kind of thing if you’re playing in a real Major League organization.
So long, ‘Spin!
“Adam Rubin ?@AdamRubinESPN
Last thing on topic because I don’t want to pile on, but you won’t believe the stories that will come out if there’s ever a trade/release”
Looking forward to them.
It’s comical, though – that they willingly choose to keep guys like this around, even funnier when it’s to PINCH HIT exclusively, amidst an everyday working ballclub.
Giving a tour of the locker room:
“This is our pinch-hitter. He doesn’t really need to be here, and causes problems everyday. We’re pleased with him.”
………………awkward silence…………………..
The real differences are the ones you listed, of course.
Are we getting a pop-quiz on the Arial font? Or is it a take-home test? Either way I’m better prepared than JV. Or even TC.
😉
Nicely played, Paul!
As to the actual topic at hand, I would swap out Valdespin for a Gregg Jeffries type any day. I mean, if you’re going to be a crybaby, at least have a few productive AB’s to go with it. If a Jeffries type isn’t available, a case of PBR would suffice.
Reyes was the anti-Wright? If I recall, Wilpon dissed both players in the New Yorker piece, referring to Wright – one of the best third basemen of the era – as “not great.” May he live long enough to see Wright enshrined in the Hall and eat his words.
Murphy has never been cited as a core player, either, and it’s likely he’s now nothing more than a stop gap until Flores – again, not a white dude – replaces him.
Valdespin isn’t evil, he’s a child, and has no place on the team. Comparing JV to either Davis or Murphy is laughable. The apt comparison is Baxter, who likewise worked hard for something more than a bit part on the team, and like JV was disproportionately glorified for a couple key moments. Baxter got demoted after failing to execute a bunt. Pretty sure race didn’t play a role in that decision either. But I’m sure if he weren’t white, you’d be all over that one as well.
Really? You may be the only one I know villifying Tejada and blaming him for the season. Anyone paying attention can tell that he was lousy on both sides of the ball this year, something even apparent to him. It is also the second year in a row missing signifcant time due to injury. He hasn’t been released, but at 23, sent back to AAA to improve. No crime, no racism, just baseball. Regarding Ike, again, anyone paying attention has criticized him for being a crybaby at the plate, taking his woes into the field, and not hustling. Duda has been a big disappointment as well. Cowgill is gone. Baxter is farmed out for the reasons Crozier noted above. Spin has not performed well and shown continued immaturity as a marginal player. He got sent to the minors, that’s baseball. To me, it seems that the anti-latino sentiment as it relates to the 2013 Mets is manufactured.